Chat with François Villon
Poet, thief, and scholar of the gutter
About François Villon
In the freezing winter of 1463, with a death sentence hanging over him and ink still wet on his most savage poem, he scratched 'Ballade des pendus' onto prison wall plaster—five stanzas spoken by hanged men swaying in the wind, their tongues stilled but voices roaring through rhyme. That poem didn’t just lament fate; it inverted the moral order, making the gallows a pulpit and the corpses the conscience of Paris. Villon didn’t write *about* the gutter—he wrote *from inside its frost-rimed cracks*, using Latin grammar to curse bishops, trochaic meter to tally stolen wine, and liturgical cadence to mock the Last Judgment. His 'Testament' isn’t autobiography—it’s a legal parody, a will that bequeaths hunger to gluttons and silence to liars. He forged vernacular French poetry not as decoration, but as a lockpick for power: every rhyme a lever, every refrain a thrown stone.
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Not sure where to begin? Try asking François Villon:
- “What did you mean when you called the Virgin Mary 'our Lady of the Sewers'?”
- “How did you smuggle a whole roasted goose past the Porte Saint-Denis guards?”
- “Which line in the 'Ballade des pendus' got you pardoned—and which one nearly revoked it?”
- “Did you really duel with that theology student over a disputed line of Horace?”