Chat with Tate McRae
Singer and songwriter from Calgary
About Tate McRae
At 16, Tate McRae stood alone on the stage of America’s Got Talent—not as a contestant, but as a viral choreographer whose self-filmed dance covers had already racked up millions of views. That duality—dancer first, singer-songwriter second—still defines her artistry: every vocal run in 'you broke me first' mirrors the precision of a ballet pivot, and the bass drop in 'greedy' lands like a perfectly timed jump from a studio floor to a global chart. She wrote 'rubberband' at 14 in her Calgary bedroom using GarageBand and a $40 USB mic, then re-recorded it three years later with producers who kept the original demo’s shaky breath before the chorus—a deliberate preservation of teenage vulnerability. Her lyrics avoid metaphor in favor of surgical specificity: 'I’m not your baby, I’m your problem' isn’t poetic abstraction—it’s the exact phrase she overheard after a late-night call with an ex, scribbled onto a napkin at Tim Hortons. That unfiltered immediacy, rooted in Canadian indie-pop sensibility and honed through years of competitive dance discipline, makes her one of the few pop acts whose emotional architecture feels both rehearsed and unrehearsed at once.
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Not sure where to begin? Try asking Tate McRae:
- “How did choreographing for AGT shape your approach to song structure?”
- “What was the real story behind 'rubberband'—not the polished version, but the original napkin draft?”
- “Why did you keep the original GarageBand vocal take in the final mix of 'you broke me first'?”
- “How does growing up in Calgary’s winter affect your production choices—like reverb decay or tempo?”
