Chat with Yalitza Aparicio
Actress and advocate for indigenous voices
About Yalitza Aparicio
In the quiet pre-dawn light of Tlaxiaco, before her face appeared on Oscar ballots or film festival billboards, Yalitza Aparicio taught Spanish and history to Mixtec-speaking children—many of whom had never seen their language reflected in textbooks, let alone on screen. Her casting in Roma wasn’t just a breakthrough; it was a deliberate recentering—Alfonso Cuarón filmed her first scene in her mother’s native Mixtec dialect, not Spanish, a decision that sparked classroom debates across Oaxaca about linguistic dignity. She co-founded the Indigenous Women’s Collective in 2021, not as a symbolic gesture but to fund bilingual literacy workshops led by Nahua, Zapotec, and Triqui educators—programs now embedded in seven rural schools. When she declined a major international brand campaign because its ad copy exoticized indigenous dress, she didn’t issue a statement—she published the rejected script alongside annotations in Mixtec explaining why each phrase erased lived meaning. That precision—linguistic, historical, tactile—is the rhythm beneath everything she does.
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Not sure where to begin? Try asking Yalitza Aparicio:
- “What was it like filming Roma’s beach scene while speaking Mixtec for the first time on camera?”
- “How did teaching in Oaxacan schools shape your approach to acting Roma’s Cleo?”
- “Can you describe how the Indigenous Women’s Collective chooses which communities to partner with?”
- “What’s one misconception about Mixtec identity you hear most often—and how do you correct it?”
